*Actual Sounds + Voices*
*Everything=s Under Control*
(Aliens speaking, "we shall land" backwards masked)
Translate
We shall land (repeats 5x)
*Prime Audio Soup*
Span, span, span, span (Spin, spin, spin, spin)
Set me free
Set me free
Set me free
Set me free
Free
(Woman moaning/singing vocals)
Free
Free
Uooh!
Uooh!
Set me free
Set me free
Set me free
Set me free
Set me free
Free
Set me free
Set me free
(Uhh, beatboxing woman vocal)
(moaning vocal again)
Set me free
Set me free
Set me free
Set me free
Set me free
Set me free
(Uoohh!)
Span, span, span, span (Spin, spin, spin, spin) (repeats 4x)
*Book of Shadows*
(Warped laughing)
New methods, new machines, new products
New methods, new machines, new products
New methods, new machines, new products
New methods, new machines
New machines, new products
New methods, new machines, new products
New methods, new machines
Do it with soul (repeats 4x)
(He-ha)
Do it with soul
Man has given a false importance to death. Every animal, plant, or man dies, adds to nature=s compost heap.
Compost (vocordered voice)
Adds to nature=s (compost) (stuttered echo)
Com- . . . (vocodered voice)
Do it with soul (repeats 4x)
(He-ha)
Do it with (soul) (echos)
*Oblivion / Humans*
I don=t want to go taking trips to (a) nowhere
I don=t want to know what it=s like to be there
I don=t want to go and vanish to thin air
Into oblivion
So I may as well not care
Every day is up in the air
So I may as well not care
You get the same reaction everywhere
Now (No), I may as well not care
But every day is up in the air
You know the end is always sometime, somewhere
Sometime, somewhere
I was told it=s fun to stare straight at the sun
What I saw I never felt before, I=m sure
I saw people there with fire in their hair
And that=s when I fell into oblivion
So I may as well not care
Every day is up in the air
So I may as well not care
You get the same reaction everywhere
Now (No), I may as well not care
But every day is up in the air
You know the end is always sometime, somewhere
Sometime, somewhere
Oblivion
Somewhere
I saw them (repeats 5x)
Oh with fire in their hair
I saw them
I don=t like humans
I don=t like humans
They don=t like me
I don=t like humans
Can=t you see
When they laugh at me
I don=t like humans
Can=t you see
Can=t you see
See (stuttered echo)
Hello?
*Let=s Have Fun*
It unlocks the parts of your mind which you don=t particularly want to find
Without you
Thats no fun (Lets have fun, Thats not fun)
Without you
Thats no fun (Lets have fun, Thats not fun)
Without you
Thats no fun (Lets have fun, Thats not fun)
Without you
Thats no fun (Lets have fun, Thats not fun)
*The Tweek*
(Speech/singing)
Hi folks
We are using lyrics again, not like electronics, music to . . um . . bring . . uh . . (_____) methods
Black lab
(singing man)
(Spanish woman) (Must be now, must be) . . . delco
Radio Havana, Havana Cuba
(Spanish woman still speaking)
At the tone three hours fifty-three minutes coordinated universal time
What is the difference, the distinction, between a swish and a whistler?
Well, a swish . . . uh . . . descends through the audio frequency spectrum with time, whereas ah . . a whistler is more coherent.
In other words, the whistler is a rarified and specialized case of the swish.
Uh . . we find some which start out like a swish and end up like a whistler and we call these Aswishlers@.
They=re audio frequencies but they=re not audible unless you have radio ears.
That=s correct. They=re audio frequency radio waves.
We talked about whistlers a lot, now . . ah . . perhaps we should . . uh . . uh . . just devote . . uh . . no more than a minute or two to the tweek.
The tweek is rather well understood and demonstrate that the (they) . . (edit) . . are indeed tweeks, but that (edit) the rate of decline of the tone is so fast that they are not . . . (edit) . . not recognizable as well developed tweeks until you slow them down.
A mature tweek is one that=s many miles away.
It is, ah, a crash or a bunk (bonk) and if it=s . . uh . . far enough away so that it=s not that but not a tweek it=s . . uh . . one of these . . ah immature tweeks. A dawn chorus on the other hand is not . . uh . . at all well understood and there is no theory . . . uh . . . to explain it.
(Possibly the rest of the conversation run through a filter)
*Acid Again*
Are you really happy?
I=m happy as I=ve ever been. I=m not happy. I=m not happy at all really. Oh (Or) . . I=m very sad. I=m . . not happy. I=m so fat. I don=t feel very pretty. I really don=t.
You know a lot about drugs.
Oh, I live for drugs. It=s great. Just lately I freaked out on acid. I freaked out very, very badly. You know, I don=t think I=ll ever take acid again and before I thought that was the best thing in the world. I never want it again.
Never acid again
Never acid again
Never acid again
Acid again
Never acid again (echo)
Acid again (echo)
Never acid again (echo)
Acid again (gain, gain) (echo)
Never acid again (again, again, again) (echo)
Acid again (gain gain) (echo)
Never acid again (again, again) (echo)
I dig that (echo)
I dig that (echo)
I dig that (robotic voice)
Never acid again
I dig that
Acid again
Ouwww! (or Wow!)
Never acid again
Ouwww!
Acid again
Never acid again
Ouwww!
Acid again
Never acid again
Wooo!
Wooo!
Never acid again
Acid again
Acid again
Never acid again
Wooo!
Wooo!
Never acid again
I dig that (echo)
Wooo!
Never acid again
Ouwww!
Ouwww!
Acid again
Ouwww!
Wooo!
Wooo!
Wooo!
Wooo!
Never acid again
Ouwww!
I dig that (echo)
I dig that (echo)
Wooo!
Never acid again
Ouwww!
Wooo!
Ouwww!
Acid again
Acid again
Wooo!
Acid again
Acid again
Wooo!
Ouwww!
Acid again
Acid again
Wooo!
Acid again
Acid again
Wooo!
Ouwww!
Acid again
Wooo!
Acid again
Never acid again
*Let Go*
I can feel deep down inside what it did, deep way down ______(oh my (God, Lord)?)
(Male vocal Thats your brain, thats your groove)
Why did you die (try)?
Why did you die (try)?
Why?
I need to know
To let go
(Male vocal Thats your brain, thats your groove)
I need to know
I need to know
(Russian speaking)
*Where Are You? / Enuff*
Where are you?
Where are you (scratched)
Ugh yeah
Where are you
Where are
Where are
Where are you
Where are you
Where are you
Where are you
Where are you
(Whooaa girls screaming)
( _____ different _____) (reggae guy speaking) Enuff (echo)
Enuff
Enuff
Enuff
Enuff
Enuff
Enuff
Enuff
*Hail to the Bopp*
Yes (repeats 4x)
Yes, yes
I am one with you now
(Ehhhhhh)
Come, join us
Yes, yes
I am one with you now
Come, join us
Yes, yes
I am one with you now
(Ehhhhhhh)
(Ehhhhhhh)
(Ehhhhhhh)
(Ehhhhhhh)
(Ehh)
*3 Floors Above You*
(Russian or German man speaks)
(Russian or German man speaks)
(robotic voice)
Heahhh-ohhh
Three floors above you
(robotic voice)
Three floors above you (in robotic voice)
Three floors above you (breathing)
Three floors above you
Three floors above you
(Gutteral throat sound)
(Breathing)
Three floor
(robotic voice)
Three floor
(robotic voice)
(Voice sounds near end)
*Funny Feeling*
(Huh he huh he, male breathing)
I feel it in the ground
I sit in the trees
I=m picking up on odd frequencies
Beamed from the Hale Bopp
True to the Be Bop
Do you know what I mean?
Triggered by a laser beam
Listening to a love supreme (lesser brain)
It=s a funny feeling
I wonder if it has a meaning
You know it=s a funny feeling
Now that my wounds are healing
It=s a funny feeling
I wonder if it has a meaning
You know it=s a funny feeling
Now that my wounds are healing
Only later did I see
What it did to me
Only later did I see
What it did to me
Only later did I see
What it did to me
Only later did I see
What it did to me
What it did to me
What it did to me
What it did to me
What it did to me
What it did to me
What it did to me
(Operator ______?)
(Operator ______?)
(Operator ______?)
*Wavy Line*
(Tweeked man voice)
*Wildlife*
Wildlife (Wild life)
I=m thinking
Of drinking
(You know) (The _____)
This wildlife (wild life)
Is closing down
The end is now
The end
How do you like it so far?